Large Dragon Pattern Flat Jade yixing clay woodfired teapot # 94827
€256.86
Gradient Dragon Pattern Flat Jade yixing clay woodfired teapot # 94829
€256.86
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The exact form indicated by the name 渐变龙纹扁玉壶 is somewhat ambiguous: literally it reads “gradient (ombré) dragon-pattern flattened jade teapot,” which likely describes appearance (a low, flattened body with a jade-like finish and a graded glaze or color shift decorated with dragon motifs) rather than a single well‑known historical type.
Brief history (safe, general context): Teapots became a distinct and highly developed vessel in China from the late Ming into the Qing dynasty, with regional traditions such as Yixing clay wares and Jingdezhen porcelain producing many characteristic shapes and surface treatments. Decoration with dragon imagery has long been associated with imperial and auspicious themes, appearing across ceramics, metalwork, lacquer and carved stone. Gradient glazes and jade‑like finishes are found in later Qing and Republic‑period works and in modern studio pottery, often used to evoke prized materials like jade or to create visual depth.
Note about the shape: A “flattened” or low‑profile teapot typically has a broad, squat body and a relatively short spout and handle, offering a stable silhouette and concentrated heat retention. Such shapes emphasize horizontal lines and surface decoration, making them well suited to display detailed dragon motifs and subtle gradations in glaze or color.
Wood-fired handmade Yixing teapot made from Duanni clay sourced from the original Huanglongshan mine. Xu Shun Wei.
Brief history (safe, general context): Teapots became a distinct and highly developed vessel in China from the late Ming into the Qing dynasty, with regional traditions such as Yixing clay wares and Jingdezhen porcelain producing many characteristic shapes and surface treatments. Decoration with dragon imagery has long been associated with imperial and auspicious themes, appearing across ceramics, metalwork, lacquer and carved stone. Gradient glazes and jade‑like finishes are found in later Qing and Republic‑period works and in modern studio pottery, often used to evoke prized materials like jade or to create visual depth.
Note about the shape: A “flattened” or low‑profile teapot typically has a broad, squat body and a relatively short spout and handle, offering a stable silhouette and concentrated heat retention. Such shapes emphasize horizontal lines and surface decoration, making them well suited to display detailed dragon motifs and subtle gradations in glaze or color.
Wood-fired handmade Yixing teapot made from Duanni clay sourced from the original Huanglongshan mine. Xu Shun Wei.
